In August 2019, I released my second book Chasing Horizons – Learnings from Africa. A limited edition release (206 pages, 9.5×12.5 inches), Chasing Horizons sums up my journey in Africa in the last 10 years and showcases what I learnt as a photographer during this journey and how I replicated those learnings while working in Indian forests.
ABOUT THE AUTHOR:
Best selling author of ‘A Decade with Tigers,’ and International Award winning wildlife photographer, Shivang Mehta has donned many hats in his long career journey, including that of a Journalist and a PR Professional. His love for wildlife and nature led him to begin his on field career in the Sal forests of Kumaon 16 years ago. Shivang is the managing director of Nature Wanderers, India’s premier wildlife photo tour organisation, which he started with his wife, Kahini Ghosh Mehta in 2007. Having conducted over 1000 wildlife photography workshops and tours, along with many unique wildlife events and mentoring over a thousand amateur photographers and being a guide for the best of professional wildlife photographers, Shivang specialises in photographing rare species using DSLR camera trap technology. The author is also a Canon Photo Mentor, a Columbia Athlete and has been published in numerous national and international publications.
ABOUT THE BOOK:
Chasing the Horizons- Learnings from Africa, is Shivang Mehta’s second book, after the best selling ‘A Decade with Tigers.’ This book is a unique compilation of the author’s experiences in Wild Africa – a continent where Shivang has spent a decade photographing and understanding its wildlife and landscapes. With an extensive knowledge and understanding of the Indian forests, Shivang’s second book chronicles his time in Africa, drawing an interesting comparison of perspectives by a photographer working in both Indian and African landscapes. Describing his photographic learnings from his on-field hours in Africa, Shivang juxtaposes various natural history moments he has witnessed in the continent with an array of similar images recreated in the Indian forests. As light and creativity are the main driving forces in his photographic journey, Shivang’s images and text in the book explain the paradigm shift in his outlook which he has internalised over the years. With an extensive set of images created over such a vast period of time, the book also brings forth how his observations in Africa have only strengthened the respect and pride that the author has for Indian wildlife.
ABOUT THE COVER:
The cover of Chasing the Horizons – Learnings from Africa, is a unique amalgamation of 4 iconic big cats – Tiger, Leopard, Cheetah & African Lion. The cover has been hand painted by Vijay Kumawat – an artist from Ranthambore National Park. Vijay has used charcoal and soot and references of Shivang Mehta’s images of these 4 cats to compile this brilliant piece of art. The cover took months of ideation and a lot of samples were made in order to get the perfect balance of the facial characteristics of these 4 cats.
- AFRICA vs INDIA
- Minutes of Gold
- River Rush Hours
- The Pink Legs
- Night life in the bush
- Small Cats
- Black & Whites
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The plans for the 2017 Migration Uncut photo safari series in Masai Mara are on. All you serious photography enthusiasts who wish to join me in my Aug-Sep 2017 Migration batches to witness the Great Annual Wildebeest Migration in Masai Mara can please send me an email on firstname.lastname@example.org
We wrapped up week 4 at Migration Uncut 2016. The trans Mara is teaming with wildebeests and the yellows of the Savannah are sprayed with black dots stretching right up till the horizon. Such sights are visual treats during the migration season. The week saw some river crossings yet again and the crocs did have a good time in the Mara river. A cheetah at the doorstep of our camp kept us busy on a few mornings by sprinting across the grasslands in search of his breakfast. The highlight of the week was a good session with a leopard at Double Cross. The young female I photographed as a cub last year has shaped up quite well by occupying a territory close to her mother’s area. We caught her mating in August 2nd week and this week she stalked majestically one evening but failed to catch the gazelle she was targeting.
Here are a few images summarising week 4.
My bookings for Migration Uncut 2017 are open. Feel free to send me an email on email@example.com to reserve a slot and be a part of the African photography fiesta.
It was a good start to our annual Masai Mara photo safaris as we are close to wrapping up week 1 of Migration Uncut 2016. We photographed some good river crossings, lion cubs and cheetah action this. The weather has been clear and we have had some great sessions with various subjects in the morning and evening light.
Leaving for a game drive now and sharing some images that wrap up this week.
Post a hectic 13 hours a day grueling schedule in the African bush, the 2015 edition of our migration campaign in Masai Mara, Amboseli and Tsavo came to an end. The last leg our Mara campaign gave us some great cheetah action, a few superb river crossings were halted because of brutal crocodile and lion assaults. The ofcourse continued making use of the morning and evening light searching for subjects that can make good images.
It was great to see a clear view of the Kilimanjaro when we landed in Amboseli and elephants against the backdrop of the majestic peak made it a perfect frame. I was particularly impressed with the dedication showed by my fellow photographers in Tsavo where they experimented with some unique perspectives of red elephants by burying themselves underground for 2 days. The tons of wide angle perspectives from Tsavo were a real treat for photography.
Here are some of the many moments witnessed in the past 10 days:
Shooting in Masai Mara during the Great Wildebeest Migration has been one of my biggest photographic learning ground over the past few years. The ample amount of shooting opportunities opens avenues for experimentation and a lot of field experience gathered from the Savannah can be applied while shooting in Indian scenarios since opportunities in our forests are rare and its imperative for a photographer to make the best of those rare intrinsic moments in the woods of India.
This year my focus was yet again on tight closeups and in addition to the light, a heavy downpour during one of the days also acted as an aid while creating images in the Mara. Presenting an assorted collection of images from my 2014 Mara expedition:
(In case you wish to join me for my 2015 Masai Mara photography tour, please send me a mail at firstname.lastname@example.org)
The best part about photography in Masai Mara is the even light conditions. A slight cloud cover during the Great Wildebeest Migration months makes the light soft and apt for photography. Unlike Indian terrains, the Savannah lights are devoid of any obstructions and as a photographer you hardly miss any details while shooting in these conditions.
Post spending almost 12-13 hours on the field everyday, you hardly get 5-6 hours of light conducive for photography. The noons are normally spent with subjects lazing around in harsh sunlight and in anticipation of some action which may or may not happen on that particular evening. It was some of these noon hours during which I spent some time with some common subjects in Mara to create high-key images over a period of 2 weeks during the Wildebeest Migration of August-September 2013… Experimentation in photography is always great fun as it was in this case as well..
Here are some of the Highlights of Masai Mara from 2013 (click on the images to view the full screen on flickr):