Check out the first hand field report of the brand new Canon EOS 1DX Mark III which was launched this week. I tested out the camera in tough Indian winter conditions through the month of December amidst foggy and misty mornings of Corbett and Keoladeo and the soft light in the Little Rann of Kutch in Gujarat. The superb focusing, laser fast AF selection using the smart controller, 16 FPS and the ever awesome low light performance which the 1D series is known for makes this one of Canon’s best 1D. And of course the Canon 1Dx Mark III is all set to open a whole new dimension when it comes to wildlife filming.
Check out this video and the subsequent images to summarise my journey with this speed demon so far.
All images (C) Shivang Mehta Photography
- 45 cross type focus points – The moment I looked through the view finder of the Canon 90D the huge gamut of 45 cross type focus points which occupied a substantial area of the view finder caught my immediate attention. Composition and focusing becomes fun with this wide spread of focus points and I had a great time composing my subjects in various parts of the frame
- 32.5 megapixels – I am not a fan of cropping images and strongly believe in in-camera compositions. A camera packed with megapixels means that you get better details and that was the pick of the features for me. Even if you have to crop up 15-20% of the image you have enough data in the image to make a completely useable image.
- ISO performance – All cameras perform well in good light conditions. The challenge is when the light is tricky. In Manas I got the opportunity to test out this camera in two different light situations. A backlit capped langur and the results were satisfactory. I then encountered a herd of elephants and in hazy conditions I photographed this herd at various ISOs ranging from ISO 800 to ISO 1600. The noise at ISO 1250 and ISO 1600 was perfectly manageable.
- The Flip Screen – While shooting from a vehicle I usually struggle to take a low angle shot. A lot of times I am seen hanging out from the window at times with the camera attached to a monopod and a remote trigger to take wide perspectives of subjects close to the vehicle. I do get the results but its purely a hit and trial technique and the composition does go for a toss. With a flip screen life becomes easier as you do get to see the composition and frame when your eye is off the view finder and this feature was very handy.
- Focusing & Speed – I refer back to the capped langur troop that was moving in thickets with the sun hitting their backs. The limited openings in the tree meant that the camera needed to be fast in catching the focus and the burst firing at 10 fps was adequate enough for catching the fine moments on the tree.
Every day as I accompany photographers on the field, the sight of a tiger makes cameras go ballistic as triggers are pressed with sheer madness. Sitting in the hotel room when I see the days work of people the hard disks are full of similar looking images and then the ‘I wish’ list begins… I wish I had shot like this… I wish I had done this better…
I always wonder that when you as a photographer pick your camera to shoot say a spotted deer a lot of thought goes behind that image. You take the pain to place the deer properly in the frame, you experiment with compositions. Why does that happen? It is just because you consider the deer as a subject. Yes subjects like tigers are rare to find but the moment you get a control on your mind and start treating them as subjects you will end up maximizing your field productivity and make best use of the opportunities that nature presents in front of you.
Have you ever tried pondering on the following points?
- Removing your eye from the view finder to see the subject with your naked eyes and scan for elements which can be added or removed from the frame?
- You may be using the biggest prime lens in the world that will give you a razor sharp image. However are those sharp images needed every time? How about experimenting with varied focal lengths to create 4-5 different images of a moment as simple as a tiger sitting under a tree.
- Reading the light and pre-visualizing images for a certain light situation. You may end up forgoing some images but you will be better prepared for that particular lighting scenario
I got hold of the new and revamped Canon 100-400mm IS2 and rested my Canon 70-200mm f2.8 IS2. I used it extensively in Ranthambhore throughout last week. Here is an example from Ranthambhore where a tiger sitting under a tree was shot in 5 different ways as varied focal lengths.