Thank you for the wonderful response to my book – A Decade with Tigers. I have been taking a note of each and every feedback you all have shared – both positive and negative. I hope you have enjoyed reading the stories of India’s top tiger brand ambassadors and in case you haven’t picked up a copy yet, log in to your Amazon or Flipkart accounts to get your copy today.
Here is what the readers and the media had to say about the book:
“From tiger mothers and male tigers to denizens of the tiger kingdom, the book is surely a treat for tiger lovers” – Deccan Chronicle
“The stunning pictures of Indian wildlife in this book are testament to the magnificence of our natural world” – Valmik Thapar
“Books like these with strong visuals unfold the wild mysteries of species of India and makes you connect with nature” – Dhritiman Mukherjee
Winters, in my opinion, is one of the best seasons for photography in India. The morning light mingles with the soft mist to produce a dramatic impact that gives a mystic punch to the woods of India. The golden grass of the meadows supplements the saal forests standing tall against the rising sun with rays filtering through the canopies.
Here are some winter moods of Indian jungles. The mesmerising orange coat of a tiger amidst this environment is a sight to behold.
The beginning of the new year has been a bit low on travel as a lot of work is being done around some exciting wildlife programs to be conducted in the coming months of 2016. Though my colleagues Sagar Gosavi and Jagdeep Rajput conducted some extensive programs in Corbett National Park, I squeezed in time for a photography tour commitment in Kanha and did a impromptu game drive in Ranthambhore.
Here is a brief visual diary of some images created in the first fortnight of 2016. Stay tuned for some exciting updates this February and March.
It is Christmas today and in case you shutterbugs want to present yourself with the aspiration and much talked about Canon 7D Mark 2, here is a brief field report of my experience with this latest APSC launch by Canon. I had the privilege to rough out a demo Canon 7D Mark2 provided by Canon India over a period of 15 days in Ranthambhore and Kanha in varied light conditions and shooting scenarios. This review is by no means a detailed technical review which has already been done by a host of online forums and portals. It should purely be considered as a field review of my experience using this body and since I deal with varied photographers on a daily basis, I would also attempt to suggest the need of a Canon 7D Mark2 for different strata of lensmen.
5 years back the Canon 7D had taken the market by storm. A robust, well built magnesium alloy body with 19 AF points, the Canon 7D which shot at 8fps was built for wildlife and sports photography. Priced at around USD 1699 in September 2009, Canon literally captured the amateur market as the Canon 7D had become an obvious choice of enthusiasts wishing to pick up their maiden camera for wildlife. Along with the Canon 100-400mm and the Canon 300mm f4, the amateurs and serious amateurs swore by this combination for years. At times I was amazed to see the rapid uptake of this combination during my safaris in various parts of India and I certainly believe that this affordable combo played an instrumental role in the uptake of wildlife and nature photography in India in the last 5 years. The Canon 7D also acted as a great back up body for the Canon 1D Mark4 and Canon 5D Mark2 users of those times.
However the Canon 7D had its own pain points in the form of low light performance, loss of details, color rendering etc. It was also said that Canon has essentially given this camera the look and feel of a pro body but the performance is way below standard and the ISO performance of the Canon 7D was always a subject of debate. Some photographers believed that being a cropped sensor Canon could have reduced the megapixels of the Canon 7D to around 12mp which would have improved the noise performance in low light situations. Over the time, Canon 7D – despite of its limitations – had become like an essential element of your camera kit.
A lot of hopes were pegged on the Canon 7D Mark2 which is expecting to wipe off the Canon 7D woes and having used the 7D extensively during the 2009-2011 period, I was also eager to unfold the 7D Mark2 mystery as I grabbed hold of this light weight body in early December in 2 of India’s leading tiger reserves – Kanha and Ranthambhore.
My first impressions of the Canon 7D Mark2 were positive.
- A 65 all cross type focusing grid through the view finder opens a world of compositional and framing opportunities for you. Specially helpful while showcasing the habitat and the environment of your subject
- Toggling between focusing modes on high end machines like the Canon 5D MarkIII and Canon 1Dx is a task. It is normally a 2-3 step process. The smart nob provided next to the thumb joystick of the Canon 7DM2 was a delight to use. It definitely helps a lot if you want to go from spot focusing to the various zone focusing (expand 4, 9 points) while looking through the view finder
- The view finder console also enables you to see all your camera settings – WB, metering modes and a smart alignment scale on the top to ensure that your horizons are always in line.
Winter wildlife photography in India is definitely a joy for photographers. The early morning mist mingles with the morning light to give some dramatic colors which make even the most common subjects look photogenic. However a lot depends on the camera you are using as the winter light in the morning is very soft and requires a camera with good low light performance. The Canon 7D Mark 2 was put to test to shoot barasinghas (swamp deer) in the open meadows of Kanha on day 1 and the results were at par with the Canon 5D Mark III which was used to shoot the same subject. However the light wasn’t very soft at this point of time and most of the images were shot at ISO 400-500. Here are some of the results.
The following evening, light in Kanha was superb. A jackal emerged from the dense saal canopies of Kanha towards an open patch of grasslands and the Canon 7D Mark2 was tested in routine good light conditions and the details and color rendering was spot on. I felt there wasn’t any comparison that could be drawn with the Canon 7D as till now the Canon 7D Mark 2 was performing at par with my high end bodies like the Canon 5D Mark3, Canon 1D Mark 4 and Canon 1Dx. Infact I was enjoying using the focus points toggling button and the view finder console more than the three top of the league machines lying in my bag. Here are the results:
I am not in favor of excessive cropping of images as according to me framing and compositions need to be in-camera as much as possible, but in this era of digital photography when cameras are a part of this megapixel race, cropped composition is a trend followed by a lot of photographers. Packed with 20 MP, the Canon 7D Mark 2 retains sufficient image details when cropped by as much as 60 percent. Here is a cropped version of a spider’s web from Kanha National Park.
Canon 7DM2 – ISO performance
The above mentioned facts were some obvious improvements which were expected from a Canon 7D upgrade. The big question however still remained in my head : how will the Canon 7DM2 fare in a tricky light condition? Can it be trusted like the big brothers – 5DM3 and 1Dx when it comes to ISO performance?
As I was traversing through the saal tracks of Kanha National Park with this question pondering in my head, the opportunity I had been waiting for came on a platter. A full grown male Bengal Tiger was caught taking a nap in the middle of the road. The light conditions were poor and it was time for an acid test for the Canon 7D Mark2. Being attuned to a 1Dx and 5DM3, I started shooting at 3200 ISO straight away and the results were definitely not at par with the top of the line Canon bodies. I then slowly experimented with varied ISOs ranging from 800 to 1600. My lens was a combination of a Canon 400mm f2.8 IS2 and a Canon 70-200mm f2.8 IS2. In all circumstances I was a bit skeptical going above 1600 ISO which according to me was the maximum threshold in the given light condition. The results were remarkable at 1000-1600 ISO specially among the entire gamut of cropped sensors available in the market till date.
Given below are some of the results:
Drawing parallels for the Canon 7D Mark2 with heavyweights full frame sensors like the Canon 5D Mark3 and Canon 1Dx would be an unfair comparison as the latter do have a superior low light performance and definitely have an edge when used at ISO 2000-3200. However amongst the cropped sensors including its predecessor, the Canon 7D Mark2 does work brilliantly between ISO 1000-1600. I do recall that years back when I was on a Canon 7D, the brain was tuned not to boost the ISO above 800 (640 at times).
Using the in-camera live view feature
In the middle of this testing phase for the Canon 7D Mark2, I shifted my workstation from Kanha to Ranthambhore and while I was still looking for a good opportunity to test the 10fps of this body, my first day in Ranthambhore gave me an opportunity to try something very interesting with the 7DM2 : The Live-view feature.
Using the live view for still photography is not something we regularly do since we are more comfortable shooting from the optical viewfinder. However, a DSLR live view feature is definitely useful when the subject is still and not in motion and you have the luxury of time to compose and frame in a manner that the subject lies beyond the reach of the focus points of your DSLR. Even in high end full frame bodies like the 5DM3 and 1Dx, using the live view can become a bit frustrating at times. You need to press the AF repeatedly to fine tune the focus and at times you need to focus manually as well after magnifying your subject to 100% to ensure the focus is precise. The Canon 7D Mark2 live view feature is an absolute delight as the camera is built to focus automatically. Even when the subject occupies a small part of the frame, you can just magnify by 50% or 100% and the camera will automatically focus on the subject. Ofcourse, this works brilliantly when you are shooting videos and unlike most of the DSLRs including the big Canon machines, the 7DM2 hooks on to the focus automatically.
Here is a tiger image shot on the Canon 7DM2 using this live view feature:
The Canon 7DM2 – 10fps test
At 10fps, the Canon 7DM2 was slated to be a mini Canon 1DM4 (the 1Dx predecessor shot brilliantly at 10fps). I encountered a fast jackal fight sequence during my Ranthambhore field days. The situation was tricky because of the presence of foreground grass which I purposely did not want to avoid in order to check the AF of the 7DM2 specially on a burst mode. The subjects were back lit as well. It was an awesome experience shooting this action sequence with the 7DM2 and 400mm f2.8 combo. Of the 5-6 frames that I got, none of the images had soft focus. It was more like using a 1Dx which can be relied on blindly in case of fast action and precision when it comes to focusing.
So what’s my verdict on the Canon 7DM2?
I am not a tech or camera guru to give any verdict. I am just an artist who tries to create images from whatever equipments are around me. However here are my suggestions on the basis of which you can base your Canon 7D Mark2 purchase decision:
- A fast DSLR which can perform well in low light is a basic pre-requisite for wildlife photography. In case you are planning to learn wildlife photography and want to pick up your maiden DSLR, the Canon 7D Mark2 is a must for your kit. It has some built in features of high end Canon cameras like the 5DM3 and 1Dx and given the price point Canon is marketing this product at, it would definitely aid your photographic visions.
- For serious amateurs and pros who already have a range of Canon DSLRs in their kit, having the Canon 7DM2 in your kit is a good option. A lot of times we need range in order to create the exact frame we have visualized and instead of putting on a teleconverter which would impact your aperture as well, you can just swap bodies and use the 1.6x cropped sensor of the Canon 7DM2. In good light situations, you wouldn’t miss your top of the league bodies for sure.
My overall verdict for the Canon 7D Mark2 is a definite yes for all kind of nature photographers. Canon has carefully dealt with the issues of Canon 7D and am sure photography would be great fun for young amateurs wishing to step in the field of wildlife photography armed with this new Canon machine.
2 weeks with the wild denizens of Kanha and Pench in the company of some amazing shutterbugs. Presenting a brief gallery of images created during the fortnight.
Unseasonal rains, misty mornings and extreme cold were making Kanha National Park a tough destination from a photography perspective this January. The cat action had gone done considerably so I had diverted my attention to landscapes and swamp deers (barasingha). I was particularly interested in swamp deers as I was yet to get that good perspective of a swamp deer stag in the ever beautiful and scenic Kanha meadows. Unfortunately in my previous visits to Kanha, a stag was something which I had missed.
Seeing the weather and shooting conditions, I decided to focus my attention on the meadows and grassland and the hunt for swamp deers were on. Every round in the park yielded some nice swamp deer perspectives and it was a smooth sail. That particular evening drive however had something different in store.
With minimal cat expectations and engrossed in the thoughts of capturing Kanha’s in its mystic and damp spirit, Kahini and I set out for the evening round. We were as usual chasing the evening light in the meadows as I wanted to work on swamp deers in the typical evening mood of the meadows. As our vehicle speeded through the narrow forest tracks, I nearly dozed off post the heavy lunch. The sleep was however short-lived for the driver gave me a big jolt by putting the breaks on. The jolt in front of me was bigger!
Munna – the dominant male of Kanha meadows – suddenly emerged out on the right of the road ready for an evening stroll towards the Kanha meadows. The giant male lazily did a scat marking on the side of the road and strolled in grand fashion in front of the vehicle.
Rather than picking up the biggest lens to shoot the mighty beast, I decided to experiment with habitat perspectives which is something I always like to do. Unfortunately, this was a Nature Wanderers event and the participants have the first right on my equipments. I had given away most of my equipments to the Canon Wild Clicks equipments and was left with just 1 camera body to shoot. So the choice had to be swift…
The decision was in favor of a Canon 24-70 f2.8 and a 70-200 f2.8 and I juggled between both these lenses to capture the king’s walk. Shooting big cats that have ventured close to your vehicle with lower focal lengths capture’s the mood of the forest. It differentiates a Kanha picture from a Ranthambhore image for both are different terrains with their own unique features.
A tiger is a tiger… from a photographer’s perspective it becomes imperative to think and create frames that transports a viewer to that particular forest. I have seen some superb habitat perspectives of tigers in the wild taken by my counterparts and I respect the instant creativity shown by those photographers.
For now, dedicating this note the charismatic Munna and his majestic forest…