Have been constantly on the field of the past couple of months and haven’t had much time to sort images. Just back from back to back Corbett and Bandhavgarh photography tours and I must say both locations are teaming with wildlife action. While Paro – the river mermaid of Corbett – has been enthralling photographers with a consistent appearances in majestic Himalayan backdrops, Bandhavgarh has had some outstanding action with tiger cubs as Spotty – the reigning heartthrob of Tala – is in command with her young battalion of cubs who have made the grasslands their playground this summer. In the other areas of the part Bamera’s son (T37) has been displaying his affection for his offsprings as the 3 cubs of Kankati Jr. have been keeping shutters busy in the lone water body of the area.
Here is a quick preview for April and May 2017:
Black and white imagery looks stunning because of their artistic and dramatic appeal. I am frequently questioned about why I converted a particular image black and white. The process starts much before the image is shot as in my opinion shooting black and white images requires perceiving and pre-visualising a particular frame as black and white even before pressing the trigger. Here are some basic aspects which go through my mind during before shooting a black and white image:
- Tonality & contrasts
- Flat light and bland skies
- Would the subject stand out without colour?
- Textures and details
- Leading lines and geographic compositions
- Positioning of the light source
Do all images make good black and whites? I wouldn’t agree as a monochrome image is surely created in your mind and there are quite a few images that are meant to be photographed in colour.
Nothing could have been a better start to a new year. Reliving some magical mornings of Corbett… the music of a Himalayan river with sparkling waters cascading down the white stones which slowly get lit as the sun peeps from the horizon and fumes of mist mingles with the first rays of the sun to create a seraphic landscape which has been forever embedded in my memory for more than a decade.
Over the years, while photographing this splendour a variety of subjects came and added a flavour to the glowing ambers of the Ramganga on a daily basis. Days normally start with redstarts, storks, greenshank and slowly graduates to a pied kingfisher and finally on one of the days a crested kingfisher takes over the misty throne of the Ramganga. However that particular morning of January 2017 was steaming with a thick layer of mist which made the light softer than usual. As I was waiting for my routine kingfishers, a group of smooth coated otters distracted me on the opposite direction as I observed their morning chores while they merrily swam braving strong river tides in search of a meal. For quite some time, I avoided the distraction but the otter antics were hard to resist and for a change I prioritised subjects over light and changed the direction of the camera. As soon as I looked through the viewfinder of my camera, behind my back, a ghostly figure royally stood on the smoking orange stones of the river. The subject was 200 times the size of the expected kingfisher and as soon as I looked back, we both stared at each other in shock.
At the blink of an eye the ruler of the Ramganga – a huge male tiger – traced back and ran back towards the bushes from where it was making up its mind to cross the glowing river. Some photographic opportunities remain edged to your memory even when you miss them. The frame was blank but the memory of the soul of the river in that dramatic set-up will remain forever.
For the records, here are few images from the year-opening photo tour to Corbett National Park.
Season 2015-2016 has started on a great note with multiple tiger parks showcasing a promising future. While Ranthambhore still leads the charts as Krishna and Noor clans are beginning to carve out their own path, Bandhavgarh, Tadoba and Pench have all reported tiger cubs which throws open a lot of photo opportunities in all the parks through the coming spring and summer. The evergreen Corbett National Park had ended on a high note last season and we at Nature Wanderers are all geared up for our winter Corbett schedules to be led by a photographer who has been breathing Corbett for 25 years… Mr. Jagdeep Rajput.
I am pleased to share with you the calendar for 2016 spring and summer schedules for various tiger reserves.
Bandhavgarh Sunrise to Sunset Safaris – Jan 13-17 (5 seats… 2 seats left)
Unexplore Corbett with Jagdeep Rajput – Jan 23-26 (6 seats)
Tiger Marathon with Shivang Mehta
Tiger Marathon – Batch 1 – Ranthambhore – May 5-8
Tiger Marathon – Batch 2 – Ranthambhore – May 8-11
Tiger Marathon – Batch 3 – Corbett – May 12-15
Tiger Marathon – Batch 4 – Corbett – May 16-19
The best part about photography in Masai Mara is the even light conditions. A slight cloud cover during the Great Wildebeest Migration months makes the light soft and apt for photography. Unlike Indian terrains, the Savannah lights are devoid of any obstructions and as a photographer you hardly miss any details while shooting in these conditions.
Post spending almost 12-13 hours on the field everyday, you hardly get 5-6 hours of light conducive for photography. The noons are normally spent with subjects lazing around in harsh sunlight and in anticipation of some action which may or may not happen on that particular evening. It was some of these noon hours during which I spent some time with some common subjects in Mara to create high-key images over a period of 2 weeks during the Wildebeest Migration of August-September 2013… Experimentation in photography is always great fun as it was in this case as well..
Here are some of the Highlights of Masai Mara from 2013 (click on the images to view the full screen on flickr):
(Published in Deccan Chronicle, June 2011)
As my car passed through the Chandrapur district of Maharashtra, the sight dampened my spirits. Massive mining and quarrying operations on the wild lands dents the buffer zone of Tadoba Andhari Tiger Reserve – the Jewel of Vidharbha. The apprehensions died down as soon as I entered the reserve with the sun rays filtering through a lush green forest that was sparkling after the monsoon showers.
The highlight of my Tadoba visit could easily have been those 4-5 minutes I spent with the striped queen who walked in front of my vehicle marking her territory and majestically patrolling the picturesque Telia Lake. The highlight was not the pair of wild dogs that came out in the middle of the road from no where. It was not even the two sloth bears I saw on 2 consecutive days. The hours that followed these short and sweet sightings had something amazing in store which became the feature of the visit.
The weather was a bit cloudy and the trees and bushes were buzzing with activity as the avionic wonders of Tadoba had just started their daily chores. We passed through the scenic Tadoba lake looking for some traces of the big cat and the sudden cheetal alarm calls caught my attention.
Taking refuge under a huge banyan tree, I strained my ears for alarm calls that were slowly dying informing us that the predator has either settled down or left the area. The intensity of the anxiety of the cheetal called for a waiting game and we were holding our breath in anticipation.
In the midst of the excitement that a predator movement can cause in a forest, you tend to ignore the action going on around you. A flameback woodpecker suddenly took off from a tree towards the back of our vehicle and flew towards this peepal tree drawing my attention towards this chirping patch of vegetation where the woodpecker joined its companion perching itself on a nearby branch. As I was observing the hops of the woodpecker pair, a golden oreole darted inside the tree flaunting its bright yellow coat in bright sunlight.
Further scanning of the tree revealed a pair of black drongos calling each other on adjacent branches. The drongo conversation was intervened by their specie counterpart as a white bellied drongo perched itself right on the branch above. On the right hand patch of the tree, the tree tops were dominated by a parakeet family. In the beginning it was just a couple of rose ringed parakeets that were feeding in the golden morning light. Within minutes, a pair of plum headed parakeets joined the party and before I could take the entire family in one frame, an Alexander parakeet caught hold of the top most branch to make it a complete family picture.
With eyes glued at the top of the tree, I missed some action in the center where purple sunbirds were flying in and out of the bush in search of flower nectar in the bushes behind the tree. The buzz inside the patch forced me to lift my binoculars for a closer look. Oriental white eyes, red vented bulbuls, jungle wabblers were the reason for hustle and just as I was lowering the binoculars, a blackish silhouette perched itself on the left hand corner of the tree.
I caught hold of my camera and as the lens focused on the patch, a beautiful pied cuckoo emerged from behind in bright light with a caterpillar catch as its morning breakfast. Hoping from one branch to another, it relished its breakfast and finally came out in the open posing in front of me for some good couple of minutes.
The peace and tranquility of a tree for a few minutes made it a hot spot for birds around the location but the peace was momentary. The predator somewhere in the deep and dense bushes decided to continue its morning walk and the cheetal gave frantic alarm calls yet again. The drongos were the first to leave and were followed by the parakeets. Within seconds a tree that was sheltering around 40 odd species of birds stood bird-less… this was another form of nature I witnessed for the first time – natural shelters are momentary!