Unseasonal rains, misty mornings and extreme cold were making Kanha National Park a tough destination from a photography perspective this January. The cat action had gone done considerably so I had diverted my attention to landscapes and swamp deers (barasingha). I was particularly interested in swamp deers as I was yet to get that good perspective of a swamp deer stag in the ever beautiful and scenic Kanha meadows. Unfortunately in my previous visits to Kanha, a stag was something which I had missed.
Seeing the weather and shooting conditions, I decided to focus my attention on the meadows and grassland and the hunt for swamp deers were on. Every round in the park yielded some nice swamp deer perspectives and it was a smooth sail. That particular evening drive however had something different in store.
With minimal cat expectations and engrossed in the thoughts of capturing Kanha’s in its mystic and damp spirit, Kahini and I set out for the evening round. We were as usual chasing the evening light in the meadows as I wanted to work on swamp deers in the typical evening mood of the meadows. As our vehicle speeded through the narrow forest tracks, I nearly dozed off post the heavy lunch. The sleep was however short-lived for the driver gave me a big jolt by putting the breaks on. The jolt in front of me was bigger!
Munna – the dominant male of Kanha meadows – suddenly emerged out on the right of the road ready for an evening stroll towards the Kanha meadows. The giant male lazily did a scat marking on the side of the road and strolled in grand fashion in front of the vehicle.
Rather than picking up the biggest lens to shoot the mighty beast, I decided to experiment with habitat perspectives which is something I always like to do. Unfortunately, this was a Nature Wanderers event and the participants have the first right on my equipments. I had given away most of my equipments to the Canon Wild Clicks equipments and was left with just 1 camera body to shoot. So the choice had to be swift…
The decision was in favor of a Canon 24-70 f2.8 and a 70-200 f2.8 and I juggled between both these lenses to capture the king’s walk. Shooting big cats that have ventured close to your vehicle with lower focal lengths capture’s the mood of the forest. It differentiates a Kanha picture from a Ranthambhore image for both are different terrains with their own unique features.
A tiger is a tiger… from a photographer’s perspective it becomes imperative to think and create frames that transports a viewer to that particular forest. I have seen some superb habitat perspectives of tigers in the wild taken by my counterparts and I respect the instant creativity shown by those photographers.
For now, dedicating this note the charismatic Munna and his majestic forest…