As the lockdown continues and the world strengthens the battle against COVID19 I continued my discussions with global photographers on various topics pertaining to wildlife photography. Over the years I have closely interacted with Federico Veronesi throughout my journeys in Kenya and understanding his work and approach to photography helped me to broaden my scope of work.
On the Panel was a great medium for me to get the message out to a larger audience as Federico explained how creativity plays a major role in working in locations which is always flooded with photographers. There is always a scope for an image if you think beyond the obvious.
I ended this series of On the Panel with an interaction with Graeme Purdy. where we discuss about remote shooting using camera buggies. Graeme shares his experience using this technology which helped him to conceptualise his unique book showcasing some intimate images of African wildlife.
Every day as I accompany photographers on the field, the sight of a tiger makes cameras go ballistic as triggers are pressed with sheer madness. Sitting in the hotel room when I see the days work of people the hard disks are full of similar looking images and then the ‘I wish’ list begins… I wish I had shot like this… I wish I had done this better…
I always wonder that when you as a photographer pick your camera to shoot say a spotted deer a lot of thought goes behind that image. You take the pain to place the deer properly in the frame, you experiment with compositions. Why does that happen? It is just because you consider the deer as a subject. Yes subjects like tigers are rare to find but the moment you get a control on your mind and start treating them as subjects you will end up maximizing your field productivity and make best use of the opportunities that nature presents in front of you.
Have you ever tried pondering on the following points?
- Removing your eye from the view finder to see the subject with your naked eyes and scan for elements which can be added or removed from the frame?
- You may be using the biggest prime lens in the world that will give you a razor sharp image. However are those sharp images needed every time? How about experimenting with varied focal lengths to create 4-5 different images of a moment as simple as a tiger sitting under a tree.
- Reading the light and pre-visualizing images for a certain light situation. You may end up forgoing some images but you will be better prepared for that particular lighting scenario
I got hold of the new and revamped Canon 100-400mm IS2 and rested my Canon 70-200mm f2.8 IS2. I used it extensively in Ranthambhore throughout last week. Here is an example from Ranthambhore where a tiger sitting under a tree was shot in 5 different ways as varied focal lengths.