In the past 14 years I have documented the lives of some of the most iconic tigers of India. I am pleased to announce the launch of my book – A Decade with Tigers – which is a compilation of images and stories depicting love, romance, motherhood, rivalry and revenge in the world of tigers in the past decade. Here is a curtain raiser to the book.
Stay tuned for launch updates…
It is World Elephant Day today and I take this opportunity to showcase to beauty of these magnificent creatures of Mother Nature. They are symbolic from various aspects – be it culture, mythology, religion or just their sheer presence in our forests. The Asiatic Elephants are one of the many shining jewels of wild India.
Have been constantly on the field of the past couple of months and haven’t had much time to sort images. Just back from back to back Corbett and Bandhavgarh photography tours and I must say both locations are teaming with wildlife action. While Paro – the river mermaid of Corbett – has been enthralling photographers with a consistent appearances in majestic Himalayan backdrops, Bandhavgarh has had some outstanding action with tiger cubs as Spotty – the reigning heartthrob of Tala – is in command with her young battalion of cubs who have made the grasslands their playground this summer. In the other areas of the part Bamera’s son (T37) has been displaying his affection for his offsprings as the 3 cubs of Kankati Jr. have been keeping shutters busy in the lone water body of the area.
Here is a quick preview for April and May 2017:
Black and white imagery looks stunning because of their artistic and dramatic appeal. I am frequently questioned about why I converted a particular image black and white. The process starts much before the image is shot as in my opinion shooting black and white images requires perceiving and pre-visualising a particular frame as black and white even before pressing the trigger. Here are some basic aspects which go through my mind during before shooting a black and white image:
- Tonality & contrasts
- Flat light and bland skies
- Would the subject stand out without colour?
- Textures and details
- Leading lines and geographic compositions
- Positioning of the light source
Do all images make good black and whites? I wouldn’t agree as a monochrome image is surely created in your mind and there are quite a few images that are meant to be photographed in colour.
Nothing could have been a better start to a new year. Reliving some magical mornings of Corbett… the music of a Himalayan river with sparkling waters cascading down the white stones which slowly get lit as the sun peeps from the horizon and fumes of mist mingles with the first rays of the sun to create a seraphic landscape which has been forever embedded in my memory for more than a decade.
Over the years, while photographing this splendour a variety of subjects came and added a flavour to the glowing ambers of the Ramganga on a daily basis. Days normally start with redstarts, storks, greenshank and slowly graduates to a pied kingfisher and finally on one of the days a crested kingfisher takes over the misty throne of the Ramganga. However that particular morning of January 2017 was steaming with a thick layer of mist which made the light softer than usual. As I was waiting for my routine kingfishers, a group of smooth coated otters distracted me on the opposite direction as I observed their morning chores while they merrily swam braving strong river tides in search of a meal. For quite some time, I avoided the distraction but the otter antics were hard to resist and for a change I prioritised subjects over light and changed the direction of the camera. As soon as I looked through the viewfinder of my camera, behind my back, a ghostly figure royally stood on the smoking orange stones of the river. The subject was 200 times the size of the expected kingfisher and as soon as I looked back, we both stared at each other in shock.
At the blink of an eye the ruler of the Ramganga – a huge male tiger – traced back and ran back towards the bushes from where it was making up its mind to cross the glowing river. Some photographic opportunities remain edged to your memory even when you miss them. The frame was blank but the memory of the soul of the river in that dramatic set-up will remain forever.
For the records, here are few images from the year-opening photo tour to Corbett National Park.
The plans for the 2017 Migration Uncut photo safari series in Masai Mara are on. All you serious photography enthusiasts who wish to join me in my Aug-Sep 2017 Migration batches to witness the Great Annual Wildebeest Migration in Masai Mara can please send me an email on firstname.lastname@example.org
We wrapped up week 4 at Migration Uncut 2016. The trans Mara is teaming with wildebeests and the yellows of the Savannah are sprayed with black dots stretching right up till the horizon. Such sights are visual treats during the migration season. The week saw some river crossings yet again and the crocs did have a good time in the Mara river. A cheetah at the doorstep of our camp kept us busy on a few mornings by sprinting across the grasslands in search of his breakfast. The highlight of the week was a good session with a leopard at Double Cross. The young female I photographed as a cub last year has shaped up quite well by occupying a territory close to her mother’s area. We caught her mating in August 2nd week and this week she stalked majestically one evening but failed to catch the gazelle she was targeting.
Here are a few images summarising week 4.
My bookings for Migration Uncut 2017 are open. Feel free to send me an email on email@example.com to reserve a slot and be a part of the African photography fiesta.