Wildlife photo safaris with India's leading photography guide

Posts tagged “Wildlife Photography

On the Panel – Episode 4 and 5

As the lockdown continues and the world strengthens the battle against COVID19 I continued my discussions with global photographers on various topics pertaining to wildlife photography. Over the years I have closely interacted with Federico Veronesi throughout my journeys in Kenya and understanding his work and approach to photography helped me to broaden my scope of work.

On the Panel was a great medium for me to get the message out to a larger audience as Federico explained how creativity plays a major role in working in locations which is always flooded with photographers. There is always a scope for an image if you think beyond the obvious.

I ended this series of On the Panel with an interaction with Graeme Purdy. where we discuss about remote shooting using camera buggies. Graeme shares his experience using this technology which helped him to conceptualise his unique book showcasing some intimate images of African wildlife.

On the Panel – Shivang Mehta in conversation with Federico Veronesi
On the Panel – Shivang Mehta in conversation with Graeme Purdy

On the Panel – Episodes 1 to 3

The COVID19 lockdown has locked everyone and the present and the future looks uncertain as of now. However the positive side in the creative world is that the photographic community has come forward and has been very open in sharing knowledge in innovative ways. We started a discussion series bringing together the best of natural history photographers from across the globe to discuss various aspects of wildlife photography and for me it has a great experience interacting with all my international colleagues and recording some of these interactions.

Check out the first 3 episodes of On the Panel hosted by writer, film maker and journalist –  Shatabdi Chakrabarti as she grills us on DSLR camera trapping, photographing wildlife after dark, creativity in wildlife photography, evolution of wildlife photography in India and much more.

There are many more exciting episodes coming up. So subscribe to the Nature Wanderers channel on YouTube and or follow my Instagram page.

 

On the Panel – Episode 1 : Evolution of Wildlife Photography in India

Panelists : Shivang Mehta, Rahul Sachdev & Prakash Ramakrishnan

 

On the Panel –  Episode 2 : DSLR Camera Trapping

Panelists : Ben Cranke (Award Winning Photographer from South Africa) & Shivang Mehta

 

On the Panel – Episode 3 : Night Wildlife Photography & Usage of Flash

Panelists : BBC Wildlife Photographer of the Year – Wim van den Heever, Nature’s Best Africa Wildlife Photographer of the Year – Brendon Cremer and Canon EOS Ambassador and Siena International Photographer Award (Wildlife) Winner – Shivang Mehta.

 


Snow Leopard Expedition 2020 Summary

As the world battled the COVID19 crisis I was unaware of the seriousness of the situation as I was stationed up in the Spiti valley for my annual Snow Leopard expedition series which started in end of January and ended in second week of March. News of the world crises reached in weekly instalments as guests came and gave me fresh updates as we tracked the grey ghost of the Himalayas in beautiful rock formation engulfed amidst a white canvas – a landscape where one is humbled to witness the beauty and divinity of Mother Nature.

A handsome male who has been the star attraction of Kibber Wildlife Sanctuary in the past few years and constitutes a major segment of my snow leopard portfolio was often seen throughout this period. He made us walk in tough terrains and at times obliged with easy road side photographic opportunities. He stalked, hunted, walked gracefully on snow, on steep rocky creeks and just as I was descending from Kibber I got the shocking news that the individual died as he fell off a cliff while hunting an ibex. The memories spent with him in the past few years will be remembered by me and all my guests forever.

Last year we were lucky to witness the extraordinary mating behaviour of snow leopards. Little did I know that Mother Nature would shower her blessings again as we got to document yet another mating pair – this time in a completely different set-up. The courtship was happening in an old ruined cave used by Buddhist monks for meditation. The background stories of the location were as fascinating as the mating rituals.

Working with mother and cubs in the tough terrains of Spiti was challenging for our trackers but their effort and persistence made it easier for us to find the cats and we ended up spending some special days with the family.

2021 in Kibber would be full of action and adventures! Stay tuned for the schedules.

For now here are some images to round up the trip summary for 2020.

_K9A5943_K9A5763_K9A5752_K9A5741_K9A5737_K9A5228_K9A4774_24I0144


Canon 90D – Does it fit in your wildlife kit?

Untitled_Panorama2
A stiched panorama using a Canon 90D and Canon 18-55mm kit lens
What is the use of a cropped sensor body for a wildlife photographer? Let us look into it from 2 aspects.
 
Are you an amateur photographer looking for a camera body with good features in the budget segment? There is a whole range of Canon APSC (cropped sensor) cameras across different price segments you can opt for. It all started with the Canon bodies like the Canon 50D and the Canon 7D which were perfect for wildlife photography because of the built and high frames per second. The low light performance of these cameras was a cause of concern and then came to Canon 7D Mark II with some more advanced features.
 
Once you migrate to higher end camera bodies and enter the 5D and 1D segments do you still need for a cropped sensor body? In my opinion you do. Here is my take on this on the basis of my experience with various Canon bodies in the past 12-13 years.
 
From the 40D, 50D and the 7D I used all the Canon cropped censor bodies and as an amateur photographer I was happily making use of these semi professional cameras with the old version of the Canon 100-400mm IS1 which was my staple kit for years. High ISO performance was a pain point but I got used to living with it and experimented with photographic techniques like use of slow shutter speeds to tackle such scenarios. 
 
My next step was a migration to the Canon 1D Mark IV which again was the top end flagship model but a cropped sensor body again (1.3x cropped). I had started using prime lenses and started loving the combination. For the next 4-5 years I was married to the 1DM4 and then migrated further to the Canon 5D Mark III and later on to the Canon 1Dx and the Canon 1Dx Mark II. Though Canon kept on coming out with more and more technological marvels in the form of these full frames but there was one camera body which was a permanent fixture in my kit – the Canon 1D Mark IV. Do you wonder why?
 
Being an excellent cropped sensor body for me the 1DM4 was my tool to get better reach whenever it was needed. It acted as an additional tele converter which I used time and again was shooting close portraits or getting that perfect composition which needed that extra bit of focal length. The 10 fps and the decent low light performance was an added bonus.
 
However with the every evolving technology I was constantly looking for a 1DM4 replacement in the past few years. In 2014 Canon upgraded the 7D with the 7D Mark II. I was still not confident of letting go of my 1DM4 as I wasnt confident if the 7DM2 would fit into that shoe. Hence I continued my journey with various full frames as and when they were launched and the 1DM4 still occupied that same old slot in my camera bag.
 
Recently I had the opportunity to use the Canon EOS 90D. A cropped sensor body again which was built on two key features – focus and speed. I straight away put the camera into a rigid field test in hazy weather conditions in Manas National Park in Assam. The light was poor and the opportunity was perfect for me to answer some of my questions pertaining to this new cropped sensor body by Canon. Here are some of my observations: 
 
  • 45 cross type focus points – The moment I looked through the view finder of the Canon 90D the huge gamut of 45 cross type focus points which occupied a substantial area of the view finder caught my immediate attention. Composition and focusing becomes fun with this wide spread of focus points and I had a great time composing my subjects in various parts of the frame
  • 32.5 megapixels – I am not a fan of cropping images and strongly believe in in-camera compositions. A camera packed with megapixels means that you get better details and that was the pick of the features for me. Even if you have to crop up 15-20% of the image you have enough data in the image to make a completely useable image.
  • ISO performance – All cameras perform well in good light conditions. The challenge is when the light is tricky. In Manas I got the opportunity to test out this camera in two different light situations. A backlit capped langur and the results were satisfactory. I then encountered a herd of elephants and in hazy conditions I photographed this herd at various ISOs ranging from ISO 800 to ISO 1600. The noise at ISO 1250 and ISO 1600 was perfectly manageable. 
  • The Flip Screen – While shooting from a vehicle I usually struggle to take a low angle shot. A lot of times I am seen hanging out from the window at times with the camera attached to a monopod and a remote trigger to take wide perspectives of subjects close to the vehicle. I do get the results but its purely a hit and trial technique and the composition does go for a toss. With a flip screen life becomes easier as you do get to see the composition and frame when your eye is off the view finder and this feature was very handy.
  • Focusing & Speed – I refer back to the capped langur troop that was moving in thickets with the sun hitting their backs. The limited openings in the tree meant that the camera needed to be fast in catching the focus and the burst firing at 10 fps was adequate enough for catching the fine moments on the tree. 
So would the Canon 90D find an entry into my camera kit and would I be finally bidding farewell to my trusted partner – 1DM4? I guess I will have to do it with a heavy heart. I feel the Canon 90D is a body which would perfect for terrains and projects where one needs reach and the cropped sensor stacked with heavy duty prime lenses can make that fine difference. The perfect examples are snow leopard expeditions or a birding expedition. The 4K videos with slow motion features also makes it an ideal filming cameras for documenting wildlife.
IMG_5361
Asian Elephants in Manas National Park. Canon 90D and Canon 100-400mm IS2. ISO 800, f5.6, 1/400
IMG_5381
Asian Elephants in Manas National Park. Canon 90D and Canon 100-400mm IS2. ISO 1250, f5.6, 1/400
IMG_5414
Asian Elephants in Manas National Park. Canon 90D and Canon 100-400mm IS2. ISO 2500, f5.6, 1/500
IMG_5337
A capped langur in Manas National Park. Shot on Canon 90D and Canon 100-400mm IS2. ISO 400, f5.6, 1/640

Tiger Marathon 2020 Schedules

 

_K9A6995tm

My annual Tiger Marathon photo safari schedules are now up on Nature Wanderers Photo Safaris

4 back to back photo safaris have been planned for Ranthambore and Bandhavgarh – 2 of India’s best tiger habitats. At Tiger Marathon you can either pick up one batch or club multiple batches to spend longer time in the field and go back with an amazing portfolio of summer images

Schedule of Tiger Marathon 2020

  • May 7 – 10 : Ranthambore National Park – 6 regular safaris
  • May 10 – 13 : Ranthambore National Park – 6 regular safaris
  • May 14 – 17 : Bandhavgarh National Park – 6 regular safaris
  • May 17 – 20 : Bandhavgarh National Park – 2 full day safaris, 2 regular safaris

Little Wonder Boy of Mara

We had been tracking Lorean (the leopard) and her 3 month old cub for quite a few days during the recently concluded Migration Uncut photo safari in Masai Mara. I was already quite  impressed with the young lad as he roamed around without the mother and once climbed way up a tree in her absence and meticulously found his way down as well after exploring various sections of the tree. We decided to target the family during most of our game drives and one morning the cub was in the bushes around 100 meters away from Lorean who was looking to hunt. Her stomach was seeming full and I wondered why she was trying to hunt. I left her for a bit and post lunch found her again resting in a bush. She was up after a brief nap and disappeared in the bush. Mom apparently went out shopping and got a small toy for the young cub in the form of a warthog piglet. The excited cub got scared in the beginning but gradually gathered courage and played with his moving toy for around 45 minutes. The mini piglet even charged at the cub and Lorean was observing each and every move of the cub. As the piglet toppled Lorean would get it back on its feet for the cub. Finally the game was over as the little cub after repeated attempts killed the piglet and consumed his snack. Lorean did not participate in the meal and sat next to the cub and just observed him attempting to rip apart the meat himself… Training is a vital part in the life of a leopard cub and this lesson would have been vital for Lorean’s cub and would have done wonders to his confidence for the future.

l9

l8l1l4l5l6l7

l2l


Chasing Horizons *New Book*

Chasing Horizon cover copy69492044_1474405992713614_3090410741077901312_o

 

In August 2019, I released my second book Chasing Horizons – Learnings from Africa. A limited edition release (206 pages, 9.5×12.5 inches), Chasing Horizons sums up my journey in Africa in the last 10 years and showcases what I learnt as a photographer during this journey and how I replicated those learnings while working in Indian forests.

_K9A3318

ABOUT THE AUTHOR:

Best selling author of ‘A Decade with Tigers,’ and International Award winning wildlife photographer, Shivang Mehta has donned many hats in his long career journey, including that of a Journalist and a PR Professional. His love for wildlife and nature led him to begin his on field career in the Sal forests of Kumaon 16 years ago. Shivang is the managing director of Nature Wanderers, India’s premier wildlife photo tour organisation, which he started with his wife, Kahini Ghosh Mehta in 2007. Having conducted over 1000 wildlife photography workshops and tours, along with many unique wildlife events and mentoring over a thousand amateur photographers and being a guide for the best of professional wildlife photographers, Shivang specialises in photographing rare species using DSLR camera trap technology. The author is also a Canon Photo Mentor, a Columbia Athlete and has been published in numerous national and international publications. 

_B5A7629

ABOUT THE BOOK:

Chasing the Horizons- Learnings from Africa, is Shivang Mehta’s second book, after the best selling ‘A Decade with Tigers.’ This book is a unique compilation of the author’s experiences in Wild Africa – a continent where Shivang has spent a decade photographing and understanding its wildlife and landscapes. With an extensive knowledge and understanding of the Indian forests, Shivang’s second book chronicles his time in Africa, drawing an interesting comparison of perspectives by a photographer working in both Indian and African landscapes. Describing his photographic learnings from his on-field hours in Africa, Shivang juxtaposes various natural history moments he has witnessed in the continent with an array of similar images recreated in the Indian forests. As light and creativity are the main driving forces in his photographic journey, Shivang’s images and text in the book explain the paradigm shift in his outlook which he has internalised over the years. With an extensive set of images created over such a vast period of time, the book also brings forth how his observations in Africa have only strengthened the respect and pride that the author has for Indian wildlife. 

 

ABOUT THE COVER:

The cover of Chasing the Horizons – Learnings from Africa, is a unique amalgamation of 4 iconic big cats – Tiger, Leopard, Cheetah & African Lion. The cover has been hand painted by Vijay Kumawat – an artist from Ranthambore National Park. Vijay has used charcoal and soot and references of Shivang Mehta’s images of these 4 cats to compile this brilliant piece of art. The cover took months of ideation and a lot of samples were made in order to get the perfect balance of the facial characteristics of these 4 cats. 

Chapters

 

  1. Forward
  2. Preface
  3. AFRICA vs INDIA
  4. Minutes of Gold
  5. River Rush Hours
  6. Toddlers
  7. Hunts
  8. The Pink Legs
  9. Night life in the bush
  10. Small Cats
  11. Black & Whites

 

ORDER NOW FROM AMAZON INDIA & avail special discounts!!!

Visit https://www.amazon.in/gp/product/9353825210 to place your order