We are now in the migration season and as I gear up for my annual Masai Mara migration photo tour series, here is a recap of some memorable moments I have had in the Mara with our guests during the last 7 years of the Nature Wanderers Migration Uncut series.
From effective utilisation of morning and evening light situations to river crossings to hunt sequences, every day in Mara requires planning and I take this opportunity to thank all our guests over the past so many years for believing in me as their photography guide.
Looking forward to continuing more exciting adventures in August – September 2017.
Have been constantly on the field of the past couple of months and haven’t had much time to sort images. Just back from back to back Corbett and Bandhavgarh photography tours and I must say both locations are teaming with wildlife action. While Paro – the river mermaid of Corbett – has been enthralling photographers with a consistent appearances in majestic Himalayan backdrops, Bandhavgarh has had some outstanding action with tiger cubs as Spotty – the reigning heartthrob of Tala – is in command with her young battalion of cubs who have made the grasslands their playground this summer. In the other areas of the part Bamera’s son (T37) has been displaying his affection for his offsprings as the 3 cubs of Kankati Jr. have been keeping shutters busy in the lone water body of the area.
Here is a quick preview for April and May 2017:
Black and white imagery looks stunning because of their artistic and dramatic appeal. I am frequently questioned about why I converted a particular image black and white. The process starts much before the image is shot as in my opinion shooting black and white images requires perceiving and pre-visualising a particular frame as black and white even before pressing the trigger. Here are some basic aspects which go through my mind during before shooting a black and white image:
- Tonality & contrasts
- Flat light and bland skies
- Would the subject stand out without colour?
- Textures and details
- Leading lines and geographic compositions
- Positioning of the light source
Do all images make good black and whites? I wouldn’t agree as a monochrome image is surely created in your mind and there are quite a few images that are meant to be photographed in colour.
Canon Wild Clicks Season 6 – India’s Only Live Photography Contest concluded in Dudhwa National Park. With identical shooting conditions, defined themes and a defined timeframe, over 100 contestants came together to test their creativity and think beyond tigers during the 4 day competition. The event was conducted in partnership with Uttar Pradesh Government and Forest Department of Dudhwa.
It all kickstarted with the Honourable Chief Minister, Mr. Akhilesh Yadav flagging off Canon Wild Clicks as Nature Wanderers along with the Government of Uttar Pradesh welcomed 100 chosen photographers from all corners of India to be a part of the mega event from Nov 17-21, 2016. The entire group was divided in 3 parts to be mentored and guided by ace photographers – Shivang Mehta, Tejas Soni, Sandeep Dutta and Saurabh Desai.
This year jury comprised of award winning photographers Ganesh H Shankar and Jagdeep Rajput who spent countless hours judging over 500 images being submitted as per 5 themes given to the contestants.
CWC 6 has always been a great platform for knowledge sharing and this year the contestants got to be a part of talks on photographic compositions by Ganesh Shankar and some interesting panel discussions with Jagdeep Rajput.
Pratik Pradhan from Mumbai was judged the overall winner of Canon Wild Clicks Season 6 and won a Canon EOS 5D Mark IV and some exciting goodies from our sponsors WulPro & Sirui. Along with the Grand Winner, Canon Wild Clicks – Season 6 had five themes winners & 12 honorary mentions.
Presenting brief visual gallery from Dudhwa:
The plans for the 2017 Migration Uncut photo safari series in Masai Mara are on. All you serious photography enthusiasts who wish to join me in my Aug-Sep 2017 Migration batches to witness the Great Annual Wildebeest Migration in Masai Mara can please send me an email on firstname.lastname@example.org
We wrapped up week 4 at Migration Uncut 2016. The trans Mara is teaming with wildebeests and the yellows of the Savannah are sprayed with black dots stretching right up till the horizon. Such sights are visual treats during the migration season. The week saw some river crossings yet again and the crocs did have a good time in the Mara river. A cheetah at the doorstep of our camp kept us busy on a few mornings by sprinting across the grasslands in search of his breakfast. The highlight of the week was a good session with a leopard at Double Cross. The young female I photographed as a cub last year has shaped up quite well by occupying a territory close to her mother’s area. We caught her mating in August 2nd week and this week she stalked majestically one evening but failed to catch the gazelle she was targeting.
Here are a few images summarising week 4.
My bookings for Migration Uncut 2017 are open. Feel free to send me an email on email@example.com to reserve a slot and be a part of the African photography fiesta.
It was a good start to our annual Masai Mara photo safaris as we are close to wrapping up week 1 of Migration Uncut 2016. We photographed some good river crossings, lion cubs and cheetah action this. The weather has been clear and we have had some great sessions with various subjects in the morning and evening light.
Leaving for a game drive now and sharing some images that wrap up this week.